Why we listen to podcasts and what makes them different from radio and other forms of communication.

Podcasting is now mainstream and has just moved into a new phase. Let’s call it the 2nd Wave.

While most media content producers no longer need convincing that they should be doing podcasts, they’re also starting to realize that this medium is unique and that they don’t know how to make them.

Unique how?

– We’re the blue jeans medium: the most informal and intimate delivery system for compelling emotions and thought. Storytelling can take its natural course.

– Unlike video, ideas are delivered pure and without the distraction of a host’s unfortunate dress sense, wrinkles or bad teeth. There’s just that voice in your ear.

– Unlike radio and TV, which is often on in the background, podcast audiences aren’t usually distracted and don’t “tune in”. They’ve sought out your show, and are listening carefully at a time of their choosing. Parts of each episode may be replayed. Intimacy squared.

– Podcasts offer listeners more control. Episodes may be replayed. Many people listen on earbuds, encouraging a deeper connection than listening to the radio a speaker. The best podcasts are not passive and they often require listeners to bring something of themselves to the experience— their imagination and curiosity.

– Podcast hosts don’t have to “re-set” and remind the audience what they’re talking about. Listeners don’t tune in half-way through. They start each episode at the beginning, allowing for a more linear narrative.

– Unlike radio shows that have to conform to the clock (typically 25 or 50 minutes plus pledge breaks and newscasts), podcasts have no scheduling or timing restraints, and can vary in length. Episodes can be produced daily, weekly, monthly or in seasons.

– Podcasts can be made and distributed without the approval of an executive editor, radio program director, or some other gatekeeper. Many shows are produced at-home, without the need for expensive studio equipment. Creators have more freedom.

– While some podcasts are made with big budgets and are highly structured, with multiple layers of ambient sound or music, there is no single formula for success. This lack of established rules allows for a greater range of voices and subjects.

– Unlike broad-casts that must appeal to a broad audience, podcasts can target a much smaller slice of the population. With social media, hosts and producers have a direct dialog with listeners and can truly find what their audience wants to hear.

– Unlike radio, podcasting is rarely live. That may be a disadvantage, but many episodes are evergreen and have a long shelf life.

The requirements of doing a distinctive podcast require a different set of skills than its closest cousin. After decades in radio, I had to un-learn a great deal when we began podcasting during the 1st Wave in 2015.

“Serial” had just taken the world by storm, and the for the first time, many people had become dimly aware of online audio and were asking “what is a podcast?”

Over the next four years, as audience numbers zoomed steadily upward, almost everyone jumped into production— from individuals and celebrities to media giants, consumer brands and non-profit foundations. The result is a great big, glorious mess.

The 2nd Wave has arrived and to be successful at podcasting, producers must know why it is indeed like no other medium.

– Richard Davies is a podcast host, consultant and producer. DaviesContent designs podcast formats, edits and helps clients make excellent audio content.

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Marketers are listening. At last, podcasting is a thing at Advertising Week.

Finally it’s happening. Advertisers and marketers are waking up to the great potential of podcasting.

At this week’s Advertising Week conference in New York, there’s interest, even excitement, about audio– both music and speech. Unlike previous years, when our industry was virtually ignored at this annual event, an entire morning of panel sessions has been devoted to podcasts and audio.

“We view voice as the natural next step in technology’s future,” said Julia Chen Davidson, Head of Google’s Partner Marketing this week, at the well-attended Future of Audio Summit. “It’s still very early in the adoption curve.”

“Voice is the new touch,” enthused Pandora’s VP of Ad Innovation Strategy, Claire Fanning.

Podcasting is along for ride, with Anna Bager of the Interactive Advertising Bureau (IAB) forecasting 110% growth in annual U.S. podcast advertising revenue until 2020. Many podcast listeners like the advertising they hear “and see it as a service,” she told the audience of marketing, brand and ad professionals.

“These strong numbers speak to advertisers’ increasing recognition that podcasts provide a powerful platform for reaching and engaging audiences,” said Bager in a news release. They are “tapping into the medium’s highly engaged audience.”

Interest in podcasting is enhanced by three recent broader consumer/tech trends:

– Excitement about new research and development of Artificial Intelligence and voice-activated search.

– The explosive growth in sales and adoption of smart speakers.

– Innovation and expansion of voice-assisted technology (VAT) in cars and trucks.

Dramatic changes in automotive center stacks and consoles “is going to radically change media consumption,” Tom Webster, Senior Vice President of Edison Research told a breakout session at Advertising Week. “VAT will cause an incredible spike in podcast listening.”

And yet there are obstacles, despite steady gains in overall Podcast listening.

At Podcast Movement last July, Webster, Amplifi Media’s Steve Goldstein and others righty voiced concern about problems with discovery. While most Americans are aware of podcasting, many find it difficult to find shows, or even understand how to download or subscribe to podcasts.

One promising initiative discussed at Advertising Week is Pandora’s soon-to-be-launched Podcast Genome Project, designed our help listeners find shows based on what’s being discussed. Panelist Lizzie Widhelm of Pandora told a session that its Genome will be able to recommend other podcasts based on the content of an episode.

“There will soon be a time when our podcasts will find us, instead of the other way around,” says the online music and speech radio company’s Chief Product Officer, Chris Phillips. “If we know you care about a particular topic, we can find the podcast (the needle in a haystack), and put it in front of you.”

This project along with growth in voice search and AI could prove to be next big audience accelerator for podcasters.

Richard Davies is a podcast host, producer, consultant, and media coach. He runs DaviesContent.

Podcasts: When The Missing Ingredient Is Soul.

If you want to start a podcast, the barriers to entry are low. Good equipment is cheap and there are plenty of smart, simple “how to” guides to get you and your organization in the game.

But what most experts and consultants won’t tell you is that to be successful, your podcast needs soul. You must say something real.

The medium’s intimacy and authenticity are keys to its success. That’s why your podcast has to be three dimensional— not like one of those old Hollywood film sets with nothing behind the nicely painted fronts of stores and houses.

Your host needs should be honest, hilarious or, at the very least, a brilliant faker.

Personally, I’m not a huge fan of the hit show “Pod Save America”. But what the smart-ass uber-liberal hosts do have is soul. Their mission— delivered with passion and a dose of humor— is to save America from Trump and his fellow travelers by trashing anyone who doesn’t agree with their view of the world. You know where these guys are coming from.

Your podcast doesn’t have to come with a passionate or political point of view. But the hosts must believe what they say.

Millennials— the target audience for most podcasts— come with finely-tuned B.S. detectors. They know when they’re being duped or played.

Bragging or reminding your audience what makes you special simply won’t cut it. Deliver the goods, and do so with the minimum of fuss.

Unlike You Tube Channels, TV or even broadcast radio, podcasters don’t need bells and whistles to be successful. Most listeners start at the beginning and will stay with you for the entire show, especially if the episode is under 25 minutes.

From Dan Carlin’s “Hardcore History” to “Armchair Expert With Dax Shepard”, top-rated podcasters know that a simple interview format can work just as well as “The Daily”, “Invisibilia” and other intricately-produced programs.

Podcasts are wonderful ways to enhance your reputation as a thought leader or innovator. But when you open the mike, make sure you speak from the heart.

Richard Davies is a podcast host and consultant. His firm, DaviesContent, designs, produces, and edits podcasts for clients.

On podcasting: the small picture

The other day a young man in his 20’s told me something very sad.

While he has a strong moral sense and believes in the necessity of profound political change, and would like to do something to make the world a better place, he doesn’t know where to start.

My friend sees no connection between his actions and how to be part of a movement to promote justice, trust and greater social harmony. He feels powerless and dispirited. Disconnected.

The best advice I could think of was to throw a pebble into the ocean.

Look at the small picture.

Do something— anything— I suggested, that might help someone less fortunate than yourself. For instance, it could be as simple as signing up for Reading Partners, a non-profit group that trains volunteers to give one-on-one tutoring for 45 minutes, twice a week, to school kids who are behind their grade level in their reading.

The experience of volunteering can change your outlook on life.

From church groups to social causes, there are countless local, neighborhood efforts happening now to knit together the social fabric that we need to build a more caring, sharing society.

Maybe this young man should use his own skills to teach others what he knows: Promoting their sense of curiosity and wonder.

For me it was podcasts.

After three decades of covering breaking news at a national radio network, I was also frustrated. For a long time I had found the fast-paced daily work to be fascinating and even at times, thrilling. My career had been a gift.

But a few years ago, it started to feel a bit routine. The hourly focus on clashes, contests, calamities and celebrities that is the stuff of broadcast news was becoming more of a grind than a source of fascination. Rarely did we cover those who were calling for constructive alternatives to what was going seriously wrong in our country.

We were not giving an accurate picture of the world. Civics and the critical workings of democracy were not part of the daily news agenda.

But I also wondered about myself. Was I becoming part of the problem— an old and weary grumpy guy, who was perhaps jaded?

I didn’t want to be that person.

My answer was to change careers and became a podcaster, and help others put their message across.

My own pebble in the ocean has been “How Do We Fix It?”— a weekly podcast that I make with Jim Meigs and Miranda Shafer.

On each episode we try to promote empathy, problem solving and constructive ideas aimed at bringing people together, rather than bellowing across the political canyon at the other side.

We also have fun doing it.

Instead of covering the who, what, when, where, why of news, we ask “now what?” Experts are challenged to come on the show and discuss potential solutions to problems that they’ve spent years studying or investigating.

Podcasts are ideally suited for this kind of experiment. They connect the the head and the heart. People usually listen when they are on their own, away from the distractions of their phone and computer screens, when they are likely to be a little more reflective and able to reconsider their view of the world.

Listening to podcasts can offer a way to open your mind.

No matter how small the audience, or simple the format, the best podcasts follow their own path, throwing caution the wind. As a lover of history, one of my favorite examples is the “fireside chat” 4-hour monologues on “Hard Core History”, hosted by Dan Carlin. Each one tells a carefully crafted account of the past. There is not a speck of fat on those shows. They are pure meat.

Anyone who watches TV, goes online or listens to the radio is exposed to a fire hose of information. We are subjected to a mostly negative and overly dramatic view of current events.

The intimate world of podcasting contains an almost infinite range of possibilities to bring us together. Here’s hoping that you will decide to take a dip and jump into the ocean!

Richard Davies is a podcaster and Podcast consultant, who helps people, companies and causes to tell their story through podcasting.